I rely heavily on art to teach data literacy. To truly be data literate you must ask questions--and question answers.
As a data journalist, I am well aware of pre-attentive attributes and how to focus attention on the bits and baubles. You my friend, need to see the sleight of hand.
How many of us have been furloughed? Conferences cancelled and work placed on pause?
What is missing? Who is missing from the conversations?
Who funded the study? Who benefits from the data pointing this way and not that way?
It is often the independent journalist or artist that finds the tender point--and keeps pressing.
Will they be here when the dust settles? Read the interesting article in Vulture by art critic Jerry Saltz.
I see parallels between larger platforms for news dissemination and corporate art, both in danger of eclipsing the curious, the restless, and the vigilant.
The Last Days of the Art World … and Perhaps the First Days of a New One Life after the coronavirus will be very different.
This optimism has all always made me sure that the art world could, and would, survive anything. But last week, that optimism started to die. Even an art-lover lifer like me has to admit much of the art world infrastructure feels like it’s already in the balance. Some of it may be gone even now. In three months, or six months, or — God forbid — 12 or 18 (there has never been a vaccine for a coronavirus)? There will be galleries on the other side of this chasm, and museums, and artists making work, of course. But I worry that such a sundering will only exacerbate the inequalities that more and more dominate this universe, with megagalleries and art stars surviving and the gap between them and everyone else only widening, rendering the scrappier artists and galleries something close to invisible.--Jerry Saltz
Epidemiology has a unique vocabulary and science to explain how we talk about what is known and what is yet to be discovered. My college text book, Epidemiology for Public Health Practice, defines epidemiology as the following, "a discipline that describes, quantifies, and postulates causal mechanisms for health phenomena in populations."
A later version (5th edition) says the following, "Epidemiology is concerned with the occurrence, distribution, and determinants of "health-related states or events" (e.g., health and diseases,, morbidity, injuries, disability, and mortality in populations). Epidemiologic studies are applied to the control of health problems in populations. The key aspects of this definition are determinants, distribution, population, and health phenomena (e.g., morbidity and mortality)."
I don't know about you but the data we are viewing is often not comparable (confirmed cases vs. actual cases, number of deaths vs. case fatality rates) and most importantly we have no best guess for denominators when testing is sporadic and inconsistent. Limited tests meant subjective determinations of who gets tested. We have already seen the distortion as more data is collected.
What we need are less graphics showing the world is on fire and more data collection from asymptomatic members of the population to measure how the virus moves across the entire population. Less data on race and more on structural determinants that underly data collection efforts. It is sad but easy to count mortality rates but we are failing on morbidity attributed to this novel virus.
There are a few sounding the alarm to be better stewards of data and to yell questions through the horror we are experiencing. I leave the data collection to them and look to those of us continuing our data centric work through it all to spot the outliers and begin looking for the tell-tale signs of wider data.
Over the last decade or so, the art world in peril has seemed to lose the ability to adapt. Or, rather, it now seems able to adapt only in one way, no matter the circumstances: by growing larger and busier. Expansion and more were the answers to everything.
I don’t think that response would be healthy in this climate. And so, in that spirit, I want to speak loudly for what art has always been — something done against the rules of advanced capitalism. Art isn’t about professionalism, efficiency, insurance, and safety; it’s about eccentricity, risk, resistance, and adaptation.--Jerry Saltz
I bristled listening to NPR asking for data siloed by race. What are we measuring? If you want to examine biology then examine biology--not race. If you want to examine social inequalities give them a name--not race.
The heart surrenders everything to the moment. The mind judges and holds back. Ram Dass